Daily Labor

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Daily Labor
Wood board, black paint, chalk sourced from the White Cliffs of Dover, the artist’s body

Folkestone Fringe in parallel with the Folkestone Triennial 2017, U.K.
©Global Art Joint Curriculum 2017 between Central Saint Martins,  University of the Arts London and Tokyo University of the Arts

It was 9days performance that I painted the black holding-screen shaped in “White cliff” which is the symbol of homecoming in U.K to white by lifting the rock of chalk by my body while I became to white by powder.
Every day, the labor appeared from the forest beside the folding screen, and after she did it the whole day, she back to the forest.