日々の労働
2017
パフォーマンス
木材パネル、ホワイトクリフのチョーク、作家の身体
Daily Labor
2017
Performance
Wood board, black paint, chalk sourced from the White Cliffs of Dover, the artist’s body
Folkestone Fringe in parallel with the Folkestone Triennial 2017, U.K.
©Global Art Joint Curriculum 2017 between Central Saint Martins, University of the Arts London and Tokyo University of the Arts
It was 9days performance that I painted the black holding-screen shaped in “White cliff” which is the symbol of homecoming in U.K to white by lifting the rock of chalk by my body while I became to white by powder.
Every day, the labor appeared from the forest beside the folding screen, and after she did it the whole day, she back to the forest.